The myth of the Black Horse instigates the idea of the city of Bombay and its relationship to the colour black , where through an exhibition we construct the many lines of aesthetic and social folklores that exist around colour.
Pa.Ranjith uses the same old technique used by the caste hindu film directors to glorify rogue castes. However, he takes the camera and fixes it on a dalit subject and he politicizes the subject along with dialogues, pictures and colors behind the subject.
For all these years, there have been numerous movies – like Chinna Kaundar, Tevar Magan, etc.. Did you call it a “Kaundar-movie” or “Tevar-movie” ? If not, where does the question of “Dalit-movie” come from ?